Title: Frankenstein Year: 1931
Title: Frankenstein Created Woman Year: 1966
Title: The Curse of Frankenstein Year: 1957
The most succesful films of Frankestein were Frankenstein (In 1931, Universal acquired the rights to a companion piece, Peggy Webling’s 1927 British play, Frankenstein: An Experiment in the Macabre, adapted for the American stage in 1931 by Hamilton Deane. After the success of Dracula with director Tod Browning and featuring new star Bela Lugosi, Carl Laemmle Jr., Universal Studios production chief, offered Whale his choice of some 30 Universal properties. Whale picked Frankenstein.
Casting the Monster was a challenge. In the developing screenplay he would remain mute, but he would be a complex person. They needed an actor of subtlety and range. Whale’s romantic partner, David Lewis (a film producer), suggested that Whale test an obscure but experienced character actor named William Henry Pratt, who went by the stage name Boris Karloff.
On meeting the 43-year-old actor, Whale was fascinated by his face and “penetrating personality.” The key to Whale and Karloff’s shared vision is that the Monster is a oversized newborn child, his lurching, loose-armed walk that of a toddler struggling to keep his balance.
Frankenstein was a run-away success, bigger than Dracula. Karloff became a superstar, and horror films grew from an occasional oddity to a full-fledged film genre, particularly at Universal.)The Hammer Frankensteins differ from the Universals in their lush color, their convincing 19th century costumes, and their fascination with body parts, living (female) and dead (male). Fisher's films form a sequence in their own right (only two of the Hammer Frankenstein films -- The Evil of Frankenstein, 1964, and The Horror of Frankenstein, 1970 -- were not directed by Fisher, and the latter was the only one that did not star Cushing). The Revenge of Frankenstein (1958), Frankenstein Created Woman (1966), Frankenstein Must Be Destroyed (1969) and Frankenstein and the Monster from Hell (1973) can be seen as extrapolation of Shelley's Frankenstein.
The Curse of Frankenstein (1957), ensured Hammer's future and was a landmark in the modern horror film history. Christopher Lee plays “The Creature” as a patchwork, brain-damaged man who moves like a broken puppet. The original Creature was pretty thoroughly destroyed in that first film; subsequently the focus of the Hammer series would be on Victor Frankenstein, superbly played by Peter Cushing. The films trace Frankenstein's ongoing experiments into re-animation and brain transplantation. The latter has become a murderous and increasingly monstrous rationalist.
Parodies of frankestein
“Young Frankenstein " is a parody of the famous book and of the movie led by Boris Karlof.
The movie is in black and white.
integrantes: Romina, Andres, Melanie y Cindy
de las diviciones "a" y "b"